My son, my book cover artist

Structuring a novel is a murky process, but one moment stands out in my mind as key to both my novel, The Lacquered Talisman, and its cover, which was created by my son.

I was sitting on the floor of a bookstore in Boston, flipping through art books about China, when suddenly it hit me: What I needed for my main character was a talisman. And this talisman would be a seal chop. The Lacquered Talisman is about the Zhu family, whose youngest son founded the Ming Dynasty in 1368. I needed a tangible item that could symbolize family for my protagonist. Thus the talisman. Continue reading

Publishing in a pandemic…

I am starting to feel like a case study in how not to time your book release.

First, I stretched out the manuscript editing process so that my debut novel release date planned for late 2019 was postponed to February 1, 2020. It’s a nice date, except that my publisher is located in China, with a printing press in Hong Kong that closed down right about then to combat COVID-19.

Next, I held off on book promotion in the U.S., where I live, to allow time for getting the book printed.  “Let’s give it six weeks,” I decided.  That timed my first mid-March book promotion gig for the exact moment when things started to shut down around me in Wisconsin. Continue reading