Happy 698th Birthday to the Ming Founder

I’m back!

It’s been a year, but the founder’s birthday seems as good a time as any to declare that I have resumed work on my second novel on the Ming founding:

Red Turban
In China’s Huai River Valley, a Buddhist monk abandons his vows and joins the new local warlord as rebellion threatens the Mongol Yuan Dynasty. Rising quickly through the ranks, the former monk marries a fellow orphan who becomes his soulmate in a marriage shaped by ambition and deep loss. Together the two must make their way through a brutal landscape, discern friend from foe, and turn the Red Turban uprising into a potent force for uniting the empire.

I’ll keep you posted as I continue to work on this one.

Meanwhile, happy 698th!

My short story on a 14th-century uprising

Spittoon Collective, an arts group based in Beijing, is featuring my short story, “Stirring the Yellow River,” this month on their website. Of course, I wish I could actually go to Beijing and hang out with book people, but having a group like this offer my story, along with an illustration, a Q&A, and even a commentary, is the closest I can get to a writer’s dream come true in the COVID lockdown era. I’m so grateful!

(Illustration by Kerry Dennis)

“Stirring the Yellow River” is my fictionalized version of the 1351 uprising that launched the Red Turban rebellion, which eventually led to the downfall of Mongol rule over China. It’s a bizarre tale that involves a one-eyed stone man, laborers dredging the Yellow River, and an apocalyptic rhyme brought to life.

This story is also a selection from the start of Book 2 (which I am calling “Red Turban”) in my series of fiction about the Ming founding. I have finished the manuscript for this one, but I’m still tinkering and editing…

Continue reading →

The cringey world of book promotion

I did not realize, in my dreams about getting a book published, that promotion would be such a big part of the process. Then I started attending conferences for writers and learning about the need to pitch to agents and “have a platform.” With my first book finally out, I felt overwhelmed with all the social media I was supposed to be using to talk about my book. Who has time for all that? I asked a friend in the business which social media platform is best. “All of them,” she replied. I vowed I would not pester my friends and family on Facebook. And yet I did. And here I am, talking about my book on Twitter, Instagram, LinkedIn, this website. I’ve made cringey Tiktoks. I’ve tried to make a podcast and learned that it’s hard to sound off-the-cuff interesting, especially when you can’t resist reading from a script. “Don’t read from a script,” my kids told me. But I’m all about scripts – I’m a writer!

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A herd boy story for an Ox Year

The Lunar New Year for 2021 starts Friday, Feb. 12. Up next in the cycle of the Chinese zodiac animals is the ox.

Since I have been writing fiction about the life story of Zhu Yuanzhang, founder of the Ming Dynasty, an ox year brought to mind stories of how the founder started out as a cattle herder.

Collections of stories about Zhu Yuanzhang’s childhood often include a subversive one from his herd boy days. It comes in a few different forms, but always has the future emperor leading his fellow herd boys in eating one of the animals they are supposed to be protecting.

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Why write Ming fiction?

“What’s a nice Jewish girl like you doing writing about the Ming founding?”

1944 book on Zhu Yuanzhang, “From Monk’s Bowl to Imperial Power.”

A California-based literary agent once asked me this after I proposed a novel about the story of the fourteenth-century Ming Dynasty founder, Zhu Yuanzhang.

How to reply?

I mentioned that I’m not actually Jewish, but I knew that was not the point of the question. The agent was trying to tell me that he thought it strange to hear the idea for such a book coming from someone who is not Chinese.

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My son, my book cover artist

Structuring a novel is a murky process, but one moment stands out in my mind as key to both my novel, The Lacquered Talisman, and its cover, which was created by my son.

I was sitting on the floor of a bookstore in Boston, flipping through art books about China, when suddenly it hit me: What I needed for my main character was a talisman. And this talisman would be a seal chop. The Lacquered Talisman is about the Zhu family, whose youngest son founded the Ming Dynasty in 1368. I needed a tangible item that could symbolize family for my protagonist. Thus the talisman. Continue reading →

Five-star review of THE LACQUERED TALISMAN

Here’s a five-star review of my debut novel published August 12, 2020 on IndieReader.com, a website devoted to hybrid, small press, and self-published authors:

THE LACQUERED TALISMAN leads readers from the marriage of the first Ming Emperor’s parents, through his young life, and his years of devotion as a Buddhist monk, to the beginnings of the rebellion that would overturn a dynasty and set him on the throne of one of the greatest empires the world has ever known.

Source: THE LACQUERED TALISMAN

My profile with IndieReader.com discusses why I decided to write a novel about the founder of the Ming Dynasty, who I’d pick to play him in a movie, and more. Happy reading!

Publishing in a pandemic…

I am starting to feel like a case study in how not to time your book release.

First, I stretched out the manuscript editing process so that my debut novel release date planned for late 2019 was postponed to February 1, 2020. It’s a nice date, except that my publisher is located in China, with a printing press in Hong Kong that closed down right about then to combat COVID-19.

Next, I held off on book promotion in the U.S., where I live, to allow time for getting the book printed.  “Let’s give it six weeks,” I decided.  That timed my first mid-March book promotion gig for the exact moment when things started to shut down around me in Wisconsin. Continue reading →

So my book about the plague is a victim of coronavirus…

According to my publisher, my first novel is now waiting in some printing queue in China, one small item lost in the general shutdown resulting from the coronavirus. Ironically, “The Lacquered Talisman” focuses on how the Zhu family dealt with the contagion of their era: the plague. When the day comes that I am able to hold a copy of my book in my own hands, I will feel a measure of relief that the current contagion is subsiding. Until then, my thoughts are with all those in China dealing with this crisis.

Here is how Zhu Yuanzhang wrote about the impact of contagion on his family: Continue reading →